Novi Gucci beauty Instagram profil izgleda poput profila muzeja i sve je samo ne običan

Već glavni Guccijev Instagram profil izgleda kao izložbeni prostor nekog savremenog autora jer nove kampanje ovog brenda zaista imaju pomalo uvrnutu artističku notu koju volimo.

Međutim, čini nam se, da to nije bilo dovoljno pa je poput drugih brendova i Gucci napravio zaseban profil gde će plasirati svoje parfeme i proizvode za ulepšavanje.

Novi Gucci beauty Instagram profil trenutno izgleda poput profila muzeja. Umesto fotografija različitih nijansi ruževa, nalakiranih noktiju i našminkanih lica na ovom profilu se nalaze umetnička dela, koja su inače čuvana u različitim muzejima. Uz svako delo ide i njegov detaljan opis te kontekst u kojem je nastao.

Pogledajte neke od prvih objava na @guccibeauty profilu!

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Title: Portrait of a Young Woman, 1485 Author: Sandro Botticelli (Alessandro di Mariano di Vanni Filipepi) Museum: Staedelsches Kunstinstitut, Frankfurt-am-Main ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Simonetta Vespucci was nicknamed “la bella Simonetta.” She was known as the most beautiful woman of her age upon her entrance into the Florentine court around 1470. She came from Genoa; “like Venus, she was born among the waves,” one poet wrote. But the great beauty died when she was 22. The Florentine painter Sandro Botticelli, a star of the early Renaissance, may have used Simonetta as inspiration for some of his famous paintings, including this idealized 1485 portrait in the collection of Staedelsches Kunstinstitut. Simonetta’s flowing red hair is her signature, leading to the possibility that she is also the model for Botticelli’s “Primavera,” among others. #GucciBeauty — @kchayka Staedelsches Kunstinstitut, Frankfurt-am-Main, Germany / Bridgeman Images

Објава коју дели Gucci Beauty (@guccibeauty) дана 18. Сеп 2018. у 3:17 PDT

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Title: Aurelia (Fazio’s Mistress), 1863
Author: Dante Gabriel Rossetti
Museum: Tate, London ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Dante Gabriel Rossetti, a British-Italian painter, poet, and translator, made this c. 1863 portrait of a woman, held by the Tate, he could only imagine, taking his subject from the 14th-century Italian poet Fazio. In a poem, Fazio described his mistress’s “clear brows” and “white easy neck.” Rossetti used his own lover, Fanny Cornforth, as a model. Their affair lasted until Rossetti’s death in 1882; she was the subject of over 60 works. Rossetti is known for his role in co-founding the nostalgic Pre-Raphaelite Brotherhood, influenced by medieval art. Their goal was to be “direct and serious and heartfelt.” #GucciBeauty — @kchayka ©Tate, London 2018

Објава коју дели Gucci Beauty (@guccibeauty) дана 17. Сеп 2018. у 6:17 PDT

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Title: Woman from Constantinople, standing, c.1876
Author: Jean-Léon Gérôme (1824-1904) Private Collection ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ The French painter Jean-Léon Gérôme is the quintessential Orientalist painter, a European artist interested in a fantastical, stylized depiction of other cultures. After visiting Egypt in 1856 he became fascinated with the Middle East in particular and brought back local artifacts and costumes, which he used as props in his Paris studio. His work was extremely popular and much of it is now held in private collections, including this moody portrait. Gérôme wrapped his model in a translucent veil in a nod to her perceived exotic origins, drawing our attention to her languid gaze and ambiguous smile. Yet the image is theatrical, almost a fiction. #GucciBeauty — @tatianaberg
Photo © Christie's Images / Bridgeman Images

Објава коју дели Gucci Beauty (@guccibeauty) дана 15. Сеп 2018. у 12:27 PDT

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Title: Woman at her toilet, c.1700
Author: François Boucher Private Collection ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀ ⠀ ⠀⠀ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ François Boucher was one of the defining artists of France’s Rococo period, known for his voluptuous, romantic paintings depicting allegories and genre scenes. In particular, his paintings often have a kind of eroticism, emphasized by his soft rendering of flesh amid idyllic landscapes. In this 18th-century portrait of a woman at her toilet, Boucher depicts a rosy-cheeked woman gazing at herself in the mirror; her hands in particular have a plump sensuality. A lover is suggested by the portrait she holds in her hand, giving her placid, thoughtful expression a romantic feeling. #GucciBeauty — @lrsphm
Photo © Agnew's, London / Bridgeman Images

Објава коју дели Gucci Beauty (@guccibeauty) дана 14. Сеп 2018. у 10:09 PDT

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Title: Untitled (Eva), 2018 Author: Simone Kennedy Doig
Location: Baert Gallery, Los Angeles. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Born in London in 1994, #SimoneKennedyDoig spends her time between her birthplace and Trinidad, where she moved to in 2002 and spent much of her childhood. Her works deal with intersectional identity, which for Kennedy Doig is informed by her experiences in Port of Spain and London. This is an oil painting that portrays two young women, friends in front of a mirror, staring at their own reflections. One figure, applies makeup, heightening her own sense of beauty while the other female casts a glance upon her. The expression captured in the onlookers gaze contributes to an atmosphere tinged with perhaps a small dose of envy. The image offers a psychological exploration of femininity from a female's perspective, standing in contrast to the male gaze and the usual depictions of women throughout art history. #GucciBeauty — @sirsargent Courtesy of the artist and Baert Gallery, Los Angeles.
Photo: Joshua White.

Објава коју дели Gucci Beauty (@guccibeauty) дана 13. Сеп 2018. у 11:30 PDT